Home: Bachelor of Creative Practice: CPTHC201A Modern World Culture

Prescribed Books and Videos

Irving DRM 2019, Rethinking early modern 'Western art music': a global history manifesto,
Musicological Brainfood, IMS, viewed 22 January 2025, <https://brainfood.musicology.org/vol-3-no-1-2019/rethinking-early-modern-western-art-music/>.
McLean, I 2013, 'Mysterious correspondences between Charles Baudelaire and Tommy McRae: reimagining modernism in Australia as a contact zone',
Australian and New Zealand Journal of Art, vol. 13, no. 1, pp. 70-89, doi:10.1080/14434318.2013.11432643
Murrell, D 2019, The canon as muse in global contemporary art,
online video, viewed 30 January 2025, <https://youtu.be/5_pVyKiR8kQ>.
Williams, R 1987 When was Modernism?,
The Raymond Williams Society, viewed 29 January 2025, <https://raymondwilliams.co.uk/2021/09/02/when-was-modernism-by-raymond-williams/>. (Posted on 2 September 2021 by Raymond Williams Society).

Apollinaire, G 1992, 'On the subject in modern painting',
in C Harrison & P Wood (eds), Art in theory, 1900-1990: an anthology of changing ideas, Blackwell, Malden, MA, pp. 179-181. (Original work published 1912).
Greenberg, C 2003, 'Modernist painting',
in C Harrison & P Wood (eds), Art in theory, 1900-2000: an anthology of changing ideas, Blackwell, Malden, MA, pp. 754-760.
Maloon, T 2010, 'Paths to abstraction 1867-1917,
Art Gallery of NSW, viewed 29 January 2025, <https://www.artgallery.nsw.gov.au/media/downloads/files/Paths_abstraction_timeline.pdf>.
Schwartz, E 2019, Program notes: first impressions,
Denver Philharmonic Orchestra, viewed 4 February 2025, <https://denverphilharmonic.org/program-notes-first-impressions/>.

Hoberg, A 2010, 'Kandinsky and Marc: their concept of the avant-garde',
in T Maloon (ed.), Abstraction: paths to abstraction 1867-1917, Art Gallery of New South Wales, Sydney, pp. 71-81.
Johnson, S 2024, Serialism: a guide to classical music's most divisive musical technique,
Classical Music, BBC Music Magazine, viewed 21 January 2025, <https://www.classical-music.com/features/musical-terms/what-is-serialism>.
Kostick, C 2002, Adorno's philosophy of music,
Journal of Music, viewed 22 January 2025, <https://journalofmusic.com/opinion/adorno-s-philosophy-music>.
Museum of Modern Art n.d., German Expressionism: works from the collection,
interactive online resource, MOMA, viewed 30 January 2025,
<https://www.moma.org/s/ge/curated_ge/>.

Harris, B & Zucker, S 2017, Picasso, Les Demoiselles d'Avignon,
online video, Smarthistory, viewed 30 January 2025,
< https://youtu.be/XyLNPumMMTs >.
Paris: the luminous years: toward the making of modern 2010,
DVD, THIRTEEN for WNET.ORG, the Eloquent Image LLC, INA and ARTE France in association with YLE Teema, United States.
Parr, F 2023, Stravinsky's The rite of spring: why was it so revolutionary and what are its best recordings?
Classical Music, viewed 31 January 2025, <https://www.classical-music.com/features/works/stravinskys-rite-spring-guide-and-best-recordings>.

Service, T 2024, 'His music could have come from another planet': how French composer Erik Satie liberated music,
Clasical Music, viewed 29 January 2025, <https://www.classical-music.com/features/composers/how-satie-liberated-music>.
‘Moving House, Merzbau c.1923-37 Kurt Schwitters 1887-1948’ and ‘Bombed Composition1 1910 Wassily Kandinsky 1866-1944’
in Mundy, J 2013, Lost art: missing artworks of the twentieth century,Tate, London. (pp. 141-152). Book available in the library collection.

Altshuler, B 2008, Salon to biennial : exhibitions that made art history. Vol. 1, 1863-1959,
Phaidon Press, London, pp. 116-121.
Bolden, T 2025, Afrofuturism in Black music,
Carnegie Hall, viewed 31 January, <:; https://timeline.carnegiehall.org/stories/afrofuturism-in-black-music>.
Cardew, B 2013, When life gives you lemons: Mathew Herbert interviewed,
The Quietus: culture countered, viewed 31 January 2025, <https://thequietus.com/interviews/matthew-herbert-interview/>.
Marinetti, FT 2011, 'The foundation and manifesto of futurism',
in A Danchev (ed.), 100 artists' manifestos, Penguin Books, London, pp. 1-8.

Bragg, M 2017, In our time: Picasso's Guernica,
Sounds, audio podcast, BBC, 2 November, accessed 30 January 2025,
<https://www.bbc.co.uk/sounds/play/b09bxkdm>.
Jones, J 2015, How David Bowie, Kurt Cobain & Thom Yorke write songs with William Burroughs' cut-up technique,
Open Culture, viewed 29 January 2025,<https://www.openculture.com/2015/02/bowie-cut-up-technique.html>.
Mitter, P 2008, 'Interventions: Decentering modernism: Art history and avant-Ggrde art from the periphery',
Art Bulletin, vol. 90, no. 4, pp. 531-548, viewed 30 January 2025, Academic Search Complete.
Tzara, T 1992, 'Dada manifesto 1918',
in C Harrison & P Wood (eds), Art in theory, 1900-1990: an anthology of changing ideas, Blackwell, Malden, MA, pp. 248-253.
Zivkovic, A 2022, Claude Cahun (Lucy Schwob),
The Museum of Modern Art, viewed 29 January 2025,<https://www.moma.org/artists/8195>.

Sydney Symphony Orchestra 2024, Deborah Cheetham Fraillon on 'Eumeralla: a war requiem for peace,
online video, viewed 31 January 2025, <https://www.youtube.com/watch?v=Pp0DxPnfEvo>.
Rosefeldt, J 2016, Julian Rosefeldt: manifesto interview,
online video, viewed 2 February 2025, <:https://www.youtube.com/watch?v=oeAAXkhcQEE>.
Stephens, J 2021, Power in apparel: Linda Brescia's skirts,
Museum of Contemporary Art, viewed 2 January 2025, <https://www.mca.com.au/stories-and-ideas/power-apparel-linda-brescias-skirts/>.

Bauhaus-Archiv n.d., Life at the Bauhaus,
Bauhaus-Archiv / Museum für Gestaltung, viewed 30 January 2025, < https://www.bauhaus.de/en/das_bauhaus/46_leben_am_bauhaus/ >.
Cramer, C & Grant, K 2019, 'De Stijl, Part II: near-abstraction and pure abstraction',
Smarthistory, weblog post, 28 September, viewed 30 January 2025, < https://smarthistory.org/de-stijl-part-ii-near-abstraction-and-pure-abstraction/ >.
Cunningham, D 2020, 'Spirit of the Bauhaus in electronic sounds: Florian Schneider-Esleben, 1947-2020'
Radical Philosophy, 2.08, Autumn, pp. 73-80 viewed 29 January 2025, <https://www.radicalphilosophy.com/article/spirit-of-the-bauhaus-in-electronic-sounds>.
Kunstmuseum Den Haag 2017, The discovery of Mondrian,
Kunstmuseum Den Haag, viewed 30 January 2025, <https://www.kunstmuseum.nl/en/exhibitions/discovery-mondrian>.

Cramer, S 2009, 'Collage: constructing the real',
in L Harding & S Cramer, Cubism and Australian art, Miegunyah Press, Carlton, Vic., pp. 227-245.
Petry, M 2016, Nature morte: contemporary artists reinvigorate the still-life tradition,
Thames & Hudson, London.
Revisiting the still life, pp. 6-18.

Chiu, M & Genocchio, B 2013, 'Asian modern art: a case of alternative parallel and intersecting modernisms',
in E O'Brien (ed.), Modern art in Africa, Asia, and Latin America: an introduction to global modernisms, Wiley-Blackwell, Chichester, West Sussex, pp. 101-105.
Croizier, R 2013, 'Post impressionists in pre-war Shanghai',
in E O'Brien, Modern art in Africa, Asia, and Latin America: an introduction to global modernisms, Wiley-Blackwell, Chichester, West Sussex, pp. 254-271.
Van der Linden, B 2015, 'Non-Western national music and empire in global history: interactions, uniformities, and comparisons',
Journal of Global History, vol. 10, n 3, pp. 431-456, doi:10.1017/S1740022815000212

Breton, A 1924, Manifesto of surrealism,
UbuWeb, viewed 30 January 2025, <http://www.ubu.com/papers/breton_surrealism_manifesto.html>.
Karmel, P 2005, 'Terrors of the encyclopedia: Max Ernst and contemporary art',
Academia, viewed 30 January 2025, <https://as.nyu.edu/content/dam/nyu-as/faculty/documents/Karmel_Terrors_of_Encyclopedia.pdf>.