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Bachelor of Creative Practice: CPENT201A Entrepreneurship and Innovation Studies 2

Prescribed Weekly Readings

Brown, D 2013, Designing together: the collaboration and conflict management handbook for creative professionals,
New Riders, Berkeley, California. (The role of conflict in design, pp. 52-70)
Choi, BCK & Pak, AWP 2006, ‘Multidisciplinarity, interdisciplinarity and transdisciplinarity in health research, services, education and policy: 1. Definitions, objectives, and evidence of effectiveness’,
Clinical Investigative Medicine, vol. 29, no. 6, pp. 351-364, viewed 13 January 2025, CINAHL Complete.
Farago, J 2019, 'Curation as creation',
The New York Review of Books, 24 October, viewed 20 January 2020, < https://www.nybooks.com/articles/2019/10/24/harald-szeemann-curation-creation/ >.
Graham, B & Cook, S 2010, Rethinking curating: art after new media,
The MIT Press, Cambridge, Massachusetts. (pp. 170-187)
Mayer, C 2015, 'Damien Hirst: ‘What have I done? I’ve created a monster’',
The Guardian, 30 June, viewed 21 November 2024, < https://www.theguardian.com/artanddesign/2015/jun/30/damien-hirst-what-have-i-done-ive-created-a-monster >.
Please note, there are aspects of this article that some students may find unpleasant or offensive, and both the article and videos contain offensive language.
Obrist, HU 2014, Ways of curating,
Penguin Books, London. (pp. 76-80)
Thea, C 2009, On curating: Interviews with ten international curators,
Distributed Art Publishers, New York. (pp.18-26)

Adams, H 2018, 'What happened to the blockbuster art exhibition?',
The Conversation, 3 January, viewed 7 November 2024, <https://theconversation.com/what-happened-to-the-blockbuster-art-exhibition-34644>.
The exhibitionist - online eJournal
Farago, J 2019, 'Curation as creation',
The New York Review of Books, 24 October, viewed 20 January 2020, < https://www.nybooks.com/articles/2019/10/24/harald-szeemann-curation-creation/ >.
Fourth Plinth Trafalgar Square n.d.,
Mayor of London: London Assembly, viewed 20 January 2020, <https://www.london.gov.uk/what-we-do/arts-and-culture/current-culture-projects/fourth-plinth-trafalgar-square>.
Jeffries, S & Groves, N 2014, 'Hans Ulrich Obrist: The art of curation',
The Guardian, 24 March, viewed 7 November 2024, <https://www.theguardian.com/artanddesign/2014/mar/23/hans-ulrich-obrist-art-curator>.
McIver, G 2004, A recent history of site-specificity and site-response,
SiteSpecificArt, viewed 19 August 2021, < http://sitespecificart.org.uk/on-site-specificity-and-ephemerality >.
McIver, G 2004, Art/site: art as site-response. Introduction,
SiteSpecificArt, viewed 19 august 2021, < http://www.sitespecificart.org.uk/ >.
National Park Service. Harpers Ferry Center 2017, Programmatic accessibility guidelines for National Park Service interpretive media,
National Park Service. Harpers Ferry Center, viewed 19 August 2021, < https://www.nps.gov/features/hfc/guidelines/ >.
National Park Service 2014, Museum and visitor center exhibit planning, design, and fabrication process,
National Park Service, viewed 18 November 2024, <https://www.nps.gov/subjects/hfc/upload/EX-PD-Prod-Charts-R.pdf>.
National Park Service 2019, Exhibit planning, design, and fabrication specifications: Attachment 1,
National Park Service, viewed 18 November 2024, <https://www.nps.gov/subjects/hfc/upload/NPS-Exhibit-Planning-Design-and-Fabrication-Specifications-2019.pdf>.
Public art Melbourne n.d.,
City of Melbourne, viewed 20 January 2020, < https://www.melbourne.vic.gov.au/arts-and-culture/art-outdoors/public-art-melbourne/Pages/public-art-melbourne.aspx >.

Recommended Reading and Viewing

Berkun, S 2007, The myths of innovation,
eBook, viewed 14 February 2022, O'Reilly eBooks and Videos.
(People love new ideas, pp. 53-68)

Campbell, T 2012, Weaving narratives in museum galleries,
online video, TED, viewed 21 November 2019, < http://www.ted.com/talks/thomas_p_campbell_weaving_narratives_in_museum_galleries >.