Home: Bachelor of Creative Practice Specialising in Music Production and Performance: CPENT201A Entrepreneurship and Innovation Studies 2

Weekly Readings

The definitive guide to project management : the fast track to getting the job done on time an on budget (2007) - eBook and book by Sebastian Nokes
2nd ed.
Various editions available
Designing together : the collaboration and conflict management handbook for creative professionals (2013) - eBook and book
Getting to yes : negotiating agreement without giving in (2012) - Book
Various editions available
Why we write : 20 acclaimed authors on how and why they do what they do (2013) - Book

Andersson, TD & Getz, D 2008, 'Stakeholder management strategies of festivals',
Journal of Convention & Event Tourism, vol. 9, no. 3, pp.199-220, viewed 16 February 2022, Hospitality & Tourism Complete.
Choi, BCK & Pak, AWP 2006, ‘Multidisciplinarity, interdisciplinarity and transdisciplinarity in health research, services, education and policy: 1. Definitions, objectives, and evidence of effectiveness’,
Clinical Investigative Medicine, vol. 29, no. 6, pp. 351-364, viewed 13 January 2025, CINAHL Complete.
Empire, K 2017, 'Sufjan Stevens, Nico Muhly, Bryce Dessner, James McAlister: Planetarium review: masters of the universe',
The Observer, 11 June, viewed 10 February 2022, Gale Databases.
HBR Editors 2016, 'The four phases of project management',
Harvard Business Review, 3 November, viewed 10 February 2022, Gale Databases.
Ross, A 2008, 'Why so serious?',
The New Yorker, vol. 84, no. 27, viewed 1 February 2022, Gale Databases.
Woolfe, Z 2021, 'This music festival is sincerely trippy',
The New York Times, 16 January, viewed 1 February 2022, Gale Databases.
Zacks, JM, Speer, NK, Swallow, KM, Braver, TS & Reynolds, JR 2007, 'Event perception: a mind/brain perspective',
Psychological Bulletin, vol. 133, no. 2, doi:10.1037/0033-2909.133.2.273

Byrne, D 2010, How architecture helped music evolve,
online video, TED, viewed 3 February 2022, <https://www.ted.com/talks/david_byrne_how_architecture_helped_music_evolve?referrer=playlist-the_evolution_of_music#t-284>.
Devlin, E 2019, Mind-blowing stage sculptures that fuse music and technology,
online video, TED, viewed 2 February 2022, <https://www.ted.com/talks/es_devlin_mind_blowing_stage_sculptures_that_fuse_music_and_technology>.
Eno, B 2013, Brian Eno on exploring creativity,
online video, viewed 3 February 2022, <https://www.redbullmusicacademy.com/lectures/brian-eno>.
Thomas, MT 2012, Music and emotion through time,
online video, TED, viewed 1 February 2022, <https://www.ted.com/talks/michael_tilson_thomas_music_and_emotion_through_time>.

'The complete step-by-step festival planning guide', 2021,
InItLive, weblog post, 25 January, viewed 9 February 2022, <https://www.initlive.com/blog/festival-planning>.
The 50 greatest producers of the 21st century: staff list 2021,
Billboard, viewed 10 February 2022, <https://www.billboard.com/media/lists/best-music-producers-9603412/>.
Alexander, D 2019, Engineering the stage: what new technologies are reshaping performances?,
Interesting Engineering, viewed 1 February 2022, <https://interestingengineering.com/engineering-the-stage-what-new-technologies-are-reshaping-performances>.
Amaral, H 2018, Producing situations: how performer-curators are rethinking roles and formats,
OnCurating, viewed 10 February 2022, <https://www.on-curating.org/issue-44-reader/producing-situations-how-performer-curators-are-rethinking-roles-and-formats.html#.YXdqdEZBwWo%3E>.
Anand, K 2016, 'Interview: Joseph Bennett, production designer',
Something Curated, weblog post, 16 August, viewed 3 February 2022, <https://somethingcurated.com/2016/08/16/interview-joseph-bennett-production-designer/>.
Atlassian The Workstream 2022, 6 ways to power up project collaboration: get in sync and win as a team,
Atlassian, viewed 10 February 2022, <https://www.atlassian.com/work-management/project-collaboration>.
Atlassian The Workstream 2022, How to create a collaborative culture: squad goals for innovative workplaces,
Atlassian, viewed 3 February 2022, <https://www.atlassian.com/work-management/project-collaboration/collaborative-culture>.
Atlassian The Workstream 2022, Understanding the project management phases: there's more to it than "to-do" and "done",
Atlassian, viewed 10 February 2022, <https://www.atlassian.com/work-management/project-management/phases>.
Beer, J 2016, Mark Ronson talks about his creative process in the studio,
Fast Company, viewed 3 February 2022, <https://www.fastcompany.com/3061299/mark-ronson-talks-about-his-creative-process-in-the-studio>.
Carver, C 2020, 'The festival operations behind the ultra Australia music festival',
Lennd, weblog post, 20 August, viewed 10 February 2022, <https://blog.lennd.com/what-it-takes-to-produce-an-international-music-festival>.
Christenson, E & Meyer, N 2015, Eaux Claires: our own thing,
VolumeOne, viewed 1 February 2022, <https://volumeone.org/eauxclaires>.
City of Sydney Council, 2014 Live music performance action plan,
City of Sydney Council, viewed 2 February 2022, <https://www.cityofsydney.nsw.gov.au/strategies-action-plans/live-music-and-performance-action-plan>.
Classic Rock 2018, Queen at Live Aid: the real story of how one band made rock history,
Classic Rock, viewed 1 February 2022, <https://www.loudersound.com/features/queen-at-live-aid-the-real-story-of-how-one-band-made-rock-history>.
Del Barco, M 2016, Beyonce’s ‘Formation’ is a visual anthem,
npr, viewed 1 February 2022, <https://www.npr.org/2016/02/08/466036710/beyonces-formation-is-a-visual-anthem>.
Frey, C 2013, The seven all-time greatest ideation techniques,
Innovation Management, viewed 3 February 2022, <https://innovationmanagement.se/2013/05/30/the-7-all-time-greatest-ideation-techniques/>.
Goff-Dupont, S 2021, 'What does a culture of innovation really mean?',
Atlassian, weblog post, 23 April, viewed 3 February 2022, <https://www.atlassian.com/blog/leadership/what-is-innovation-culture>.
Graff, A 2016, Federal government seeks project manager for Burning Man - read the job description before applying,
SFGATE, viewed 21 November 2024, <https://www.sfgate.com/news/article/Burning-Man-Project-Manager-Bureau-Land-Management-6787695.php>.
Grow, K 2016, Rick Rubin: my life in 21 songs,
Rolling Stone, viewed 10 February 2022, <https://www.rollingstone.com/music/music-lists/rick-rubin-my-life-in-21-songs-26024/>.
Happy 2021, Sydney sounds,
viewed 3 February 2022, <https://happymag.tv/sydney-sounds/>.

'Monolog and Subheim: collaborate with conviction' 2017,
Ableton, weblog post, 27 June, viewed 3 February 2022, <https://www.ableton.com/en/blog/monolog-subheim-collaborate/>.
Kelsey, J 2020, 8 times choreographer Parri$ Goebel proved she was the mvp of dance,
Love, viewed 2 February 2022, <https://www.thelovemagazine.co.uk/article/8-times-choreographer-parridollar-goebel-proved-she-was-the-mvp-of-dance>.
Kramer, JD 1988, The impact of technology on the musical experience,
The College Music Society, viewed 2 February 2022, <https://www.music.org/index.php?option=com_content&view=article&id=2675:the-impact-of-technology-on-the-musical-experience&catid=220&Itemid=3665>.
Kumar, S 2018, 'Innovation is not ideation: it’s a process that enables ideas to flow towards impact',
Medium, weblog post, 15 February, viewed 3 February 2022, <https://shilpikumar.medium.com/innovation-is-not-ideation-its-a-process-that-enables-ideas-to-flow-towards-impact-d3c661d04ba5>.
McGlashan, A 2015, ‘Know how: a pedagogic approach to encourage creative ideation in the classroom’,
paper presented to Technology Education New Zealand conference, Waikiko Institute of Technology, Hamilton, New Zealand, 4-7 October 2015, viewed 18 November 2024, <https://tenz.org.nz/wp-content/uploads/2018/03/McGlashan-Ideation.pdf>.
Miller, D 2022, 'How to improve your project evaluation process',
ProProfs Project, weblog post, 9 February, viewed 10 February 2022, <https://www.proprofsproject.com/blog/improve-project-evaluation/>.
Milton, J 2017, 'From holograms to headliners - how Gorillaz’s inventive live shows have transformed',
NME, weblog post, 6 March, viewed 1 February 2022, <https://www.nme.com/blogs/nme-blogs/holograms-headliners-how-gorillaz-live-shows-changed-2003855>.
Hughes, M n.d., Conflict resolution: 8 ways to resolve conflict in the workplace,
MindTools, viewed 21 November 2024, <https://www.mindtools.com/pages/article/newLDR_81.htm>.
Newton, KR 2013, Cross-disciplinary integration of musical works and visual arts through computer technology,
DMA Music thesis, The Ohio State University, Columbus, OH, viewed 2 February 2022, <https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=osu1366381657&disposition=inline>.
Nunes, A 2016, 26 hours, 26 words, and 26 design proposals,
Vice, viewed 3 February 2022, <https://www.vice.com/en/article/ez5ynn/26-hours-words-design-proposals>.
Orthentix 2017, 'Bjork innovation and inspiration',
Medium, weblog post, 17 October, viewed 3 February 2022, <https://medium.com/@orthentix/bjork-innovation-and-inspiration-925e700f89c0>.
Pangburn, DJ 2021, 'Nosaj Thing: a visual and musical history',
weblog post, 10 August, viewed 2 February 2022, <https://www.ableton.com/en/blog/nosaj-thing-visual-and-musical-history/>.
Quagliarello, M 2019, First time artists share what it takes to make big (and small) art for Black Rock City,
Burning Man Project, viewed 21 November 2024, <https://journal.burningman.org/2019/12/burning-man-arts/brc-art/first-time-artists-share>.
Richards, C 2011, 'Bluebrain make magic with the world’s first location aware album',
Washington Post, weblog post, 28 May, viewed 3 February 2022, <https://www.washingtonpost.com/blogs/click-track/post/bluebrain-make-magic-with-the-worlds-first-location-aware-album/2011/05/28/AGSVQSDH_blog.html>.
Sotés, T 2019, The challenge of long-distance art affairs,
Burning Man Project, viewed 21 November 2024, <https://journal.burningman.org/2019/06/burning-man-arts/brc-art/the-challenge-of-long-distance-art-affairs/>.
Sydney Opera House 2021, Event guide: information for presenting events at the Sydney Opera House,
Sydney Opera House, viewed 2 February 2022, <https://www.sydneyoperahouse.com/content/dam/pdfs/venues/safety/2021/soh-event-guide-v1-0-27-07-21.pdf>.
Temple: David Best 2015,
Artichoke, viewed 10 February 2022, <https://www.artichoke.uk.com/project/temple/>.
Victorian Government 2020, Introduction to human centred design,
viewed 3 February 2022, <https://www.vic.gov.au/introduction-human-centred-design>.
Welcome to the Burning Man timeline n.d.,
Burning Man Project, viewed 21 November 2024, <https://burningman.org/timeline/>.
Williams, S 2021, James Brown, politics, and the revolutionary 60s,
Udiscovermusic, viewed 3 February 2022, <https://www.udiscovermusic.com/stories/james-brown-politics-feature/>.
Youngblood, M 2019, A study of collaborative sampling across international networks,
Red Bull Music Academy, viewed 3 February 2022,
<https://daily.redbullmusicacademy.com/2019/06/collaborative-sampling-feature>.
Zurn, C 2017, 'The music thinking framework for iteration, innovation and transformation',
weblog post, 4 January, viewed 3 February 2022, <https://creativecompanion.wordpress.com/2017/01/04/the-music-thinking-framework-for-iteration-innovation-and-transformation/>.

Dore, P & Pugsley, PC 2019, 'Genre conventions in K-pop: BTS's 'dope' music video',
Journal of Media & Cultural Studies, vol. 33, no. 5, pp. 580-589, viewed 18 February 2022, Communication & Mass Media Complete.
Lerch, A, Arthur, C, Pati, A & Gurarani, S 2020, 'An interdisciplinary review of music performance analysis',
Transactions of the International Society for Music Information Retrieval, vol. 3, no. 1, pp. 221-245, doi: http://doi.org/10.5334/tismir.53
Lorenzen, M & Frederiksen, L 2003, 'Experimental music: innovation, projects, and dynamic capabilities in the pop music Industry',
paper presented to DRUID PhD winter conference, Jan 2003, Aalborg, Denmark, viewed 16 May 2022, <https://www.researchgate.net/publication/237258061_Experimental_Music_Innovation_Projects_and_Dynamic_Capabilities_in_the_Pop_Music_Industry>.

Berkun, S 2007, The myths of innovation,
eBook, viewed 14 February 2022, O'Reilly eBooks and Videos.
(People love new ideas, pp. 53-68)

Bachelor of Creative Practice Specialising in Music Production and Performance: CPENT201A Entrepreneurship and Innovation Studies 2

Weekly Readings

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